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New works in textile, sculpture, and text.
The Traces That Remain
Group exhibition curated by eunice bélidor. Installation with embroidered printed fabric and 2x3 spruce at MAI, Montreal, QC, May 2—June 15, 2024.
Too Early
89” x 58”,
hand embroidery on printed cotton with ladder blinds and balsa wood, 2024
Too Early
detail of hand-embroidery
Tablecloth and knife
60” x 49”
hand-embroidery on printed organza and silk, 2024.
text reads: “like describing a crime scene by the pattern of the tablecloth rather than the size of the knife”
Whole to me
hand-embroidery on printed cotton gauze
40” x 33.5”
2023
Self-Portrait as Interior, Garden, Afterlife
oil on canvas
40” x 30” x 0.75”
2024
Veiled
oil on canvas
40” x 30” x 0.75”
2024
Sold
Home or Stranger
hand embroidery on inkjet-printed linen & organza, wood armature, and clay blocks,
2023
Home or stranger
The Weeds
hand embroidery on inkjet-printed organza and wooden slats,
2023
every time I remember to call my grandmother
made for the exhibition ‘Et dis-moi : why is the past tense always longer’ at Stewart Hall Gallery, curated by Maude Hénaire.
Hand-embroidery on printed organza, set of two, each 5’ x 9’
So much for slowness
hand-embroidery on linen,
45” x 28.5”
2023
*the image depicts the work not installed in ideal conditions, just in the studio
We Will Not
Oil paint, canvas, trim, fringe, and synthetic fabric, 2023. Commissioned by the Workers Arts & Heritage Centre, as part of exhibition ‘Declaration’. The phrase painted on the large canvas was a slogan in the 1912 Eaton strikes, where men garment workers refused to usurp their women colleagues’ work. The act of solidarity between genders still echoes in its presence and need in the present day, remade with new materials.