Selected Hauntings

Selected Hauntings

Selected Hauntings is a series of embroidered textile panels hung as a labyrinthine installation. Each one contains words and sentiments that have haunted me in ambiguously positive and negative ways in relation to the failure to fulfill racialized and gendered expectations as a queer Cantonese person. The challenges of diasporic identity and language have been ongoing struggles within second and third generations of migrant settler families. The hauntings include both internal and external voices, caught between the hetero-patriarchal ideals of self-imposed respectability politics and the white hegemony of so-called Canada.

The installation’s materiality is also a negotiation between the anxiety of self-orientalism and acceptance. As ink brush scroll paintings and silk brocade are easily fetishized and stereotyped, the traditional format is kept without the typically colourful accents. The gray tones and sheer texture are used as tools to deny the white gaze an essentialized and palatable form of content.

The juxtaposed panels create a narrative demonstrate the relationships between seemingly isolated feelings. By connecting them to larger social and historical ideas, they allude to the ways in which the violence of unspoken trauma and displacement creep into our lives. The installation reveals insecurities and fears we may only want to discuss within our own communities. I hope this may serve as an opening to bring the vulnerability of these pieces into our day-to-day conversations.